Yankovic's success comes in part from his effective use of music video to further parody popular culture, the song's original artist, and the original music videos themselves, scene-for-scene in some cases. He directed later videos himself and went on to direct for other artists including Ben Folds, Hanson, Black Crowes, and The Presidents of the United States of America. In addition to recording his albums, Yankovic wrote and starred in the film, UHF, and television show, The Weird Al Show. He has also made guest appearances on many television shows, in addition to starring in Al TV specials on MTV.
Al's first accordion lesson, which sparked his career in music, was on the day before his sixth birthday. A door-to-door salesman traveling through Lynwood offered the Yankovic parents a choice of accordion or guitar lessons at a local music school. Yankovic claims the reason his parents chose accordion over guitar was "They figured there should be at least one more accordion-playing Yankovic in the world," referring to Frankie Yankovic, to whom he is not related directly. Also, Yankovic said, that "[his] parents chose the accordion because they were convinced it would revolutionize rock." He continued lessons at the school for three years before continuing to learn on his own. Yankovic's early accordion role models include Frankie Yankovic and Myron Floren (the accordionist on The Lawrence Welk Show). In the 1970s, Yankovic was a big fan of Elton John and claims John's Goodbye Yellow Brick Road album "was partly how I learned to play rock 'n roll on the accordion." As for his influences in comedic and parody music, Yankovic lists artists including Tom Lehrer, Stan Freberg, Spike Jones, Allan Sherman, Shel Silverstein and Frank Zappa "and all the other wonderfully sick and twisted artists that he was exposed to through the Dr. Demento Radio Show." Other sources of inspiration for his comedy come from Mad magazine, Monty Python, and the Zucker, Abrahams and Zucker parody movies.
Yankovic began kindergarten a year earlier than most children, and he skipped the second grade. "My classmates seemed to think I was some kind of rocket scientist so I was labeled a nerd early on," he recalls. As his unusual schooling left him two years younger than most of his classmates, Yankovic was not interested in sports or social events at school. He was a straight-A student throughout high school, which earned him the honor of becoming valedictorian of his senior class. Yankovic was active in his school's extracurricular programs, including the National Forensic League, a play based upon Rebel Without a Cause, the yearbook (for which he wrote most of the captions), and the Volcano Worshippers club, "which did absolutely nothing. We started the club just to get an extra picture of ourselves in the yearbook."
Yankovic went on to California Polytechnic State University in San Luis Obispo where he earned a degree in architecture.
Yankovic received his first exposure via southern California and syndicated comedy radio personality Dr. Demento's radio show, saying "If there hadn't been a Dr. Demento, I'd probably have a real job now." In 1976, Dr. Demento spoke at Yankovic's school where the then 16 year old Yankovic gave him a homemade tape of original and parody songs performed on the accordion in Yankovic's bedroom into a "cheesy little tape recorder". The tape's first song was "Belvedere Cruisin'", about his family's Plymouth Belvedere, was played on Demento's comedy radio show, launching Yankovic's career. Demento said "'Belvedere Cruising' might not have been the very best song I ever heard, but it had some clever lines [...] I put the tape on the air immediately.". Yankovic also played at local coffeehouses, saying:
It was sort of like amateur music night, and a lot of people were like wannabe Dan Fogelbergs. They'd get up on stage with their acoustic guitar and do these lovely ballads. And I would get up with my accordion and play the theme from 2001. And people were kind of shocked that I would be disrupting their mellow Thursday night folk fest.
During Yankovic's sophomore year as an architecture student at Cal Poly at San Luis Obispo, he became a disc jockey at the university's radio station, KCPR. Yankovic said he had been nicknamed Weird Al by fellow students and "took it on professionally" as his persona for the station. In 1978, he released his first recording (as Alfred Yankovic), "Take Me Down", on the LP, Slo Grown, as a benefit for the Economic Opportunity Commission of San Luis Obispo County. The song mocked famous nearby landmarks such as the fountain toilets at the Madonna Inn. In mid-1979, shortly before his senior year, "My Sharona" by The Knack was on the charts and Yankovic took his accordion into the restroom across the hall from the radio station (to take advantage of the echo chamber acoustics) and recorded a parody titled "My Bologna". He sent it to Dr. Demento, who played it to good response from listeners. Yankovic met The Knack after a show at his college and introduced himself as the author of "My Bologna". The Knack's lead singer, Doug Fieger, said he liked the song and suggested that Capitol Records vice president Rupert Perry release it as a single. "My Bologna" was released as a single with "School Cafeteria" as its B-side, and the label gave Yankovic a six-month recording contract. Yankovic, who was "only getting average grades" in his architecture degree, began to realize that he might make a career of comedic music. On September 14, 1980, Yankovic was a guest on the Dr. Demento Show, where he was to record a new parody live. The song was called "Another One Rides the Bus", a parody of Queen's hit, "Another One Bites the Dust". While practicing the song outside the sound booth, he met Jon "Bermuda" Schwartz, who told him he was a drummer and agreed to bang on Yankovic's accordion case to help Yankovic keep a steady beat during the song. They rehearsed the song just a few times before the show began. "Another One Rides the Bus" became so popular that Yankovic's first television appearance was a performance of the song on The Tomorrow Show (April 21, 1981) with Tom Snyder. On the show, Yankovic played his accordion, and again, Schwartz banged on the accordion case and provided comical sound effects.
Al's first accordion lesson, which sparked his career in music, was on the day before his sixth birthday. A door-to-door salesman traveling through Lynwood offered the Yankovic parents a choice of accordion or guitar lessons at a local music school. Yankovic claims the reason his parents chose accordion over guitar was "They figured there should be at least one more accordion-playing Yankovic in the world," referring to Frankie Yankovic, to whom he is not related directly. Also, Yankovic said, that "[his] parents chose the accordion because they were convinced it would revolutionize rock." He continued lessons at the school for three years before continuing to learn on his own. Yankovic's early accordion role models include Frankie Yankovic and Myron Floren (the accordionist on The Lawrence Welk Show). In the 1970s, Yankovic was a big fan of Elton John and claims John's Goodbye Yellow Brick Road album "was partly how I learned to play rock 'n roll on the accordion." As for his influences in comedic and parody music, Yankovic lists artists including Tom Lehrer, Stan Freberg, Spike Jones, Allan Sherman, Shel Silverstein and Frank Zappa "and all the other wonderfully sick and twisted artists that he was exposed to through the Dr. Demento Radio Show." Other sources of inspiration for his comedy come from Mad magazine, Monty Python, and the Zucker, Abrahams and Zucker parody movies.
Yankovic began kindergarten a year earlier than most children, and he skipped the second grade. "My classmates seemed to think I was some kind of rocket scientist so I was labeled a nerd early on," he recalls. As his unusual schooling left him two years younger than most of his classmates, Yankovic was not interested in sports or social events at school. He was a straight-A student throughout high school, which earned him the honor of becoming valedictorian of his senior class. Yankovic was active in his school's extracurricular programs, including the National Forensic League, a play based upon Rebel Without a Cause, the yearbook (for which he wrote most of the captions), and the Volcano Worshippers club, "which did absolutely nothing. We started the club just to get an extra picture of ourselves in the yearbook."
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It was sort of like amateur music night, and a lot of people were like wannabe Dan Fogelbergs. They'd get up on stage with their acoustic guitar and do these lovely ballads. And I would get up with my accordion and play the theme from 2001. And people were kind of shocked that I would be disrupting their mellow Thursday night folk fest.
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