Wednesday, October 19, 2011

Nick Cannon And Mariah Carey Twins Names

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Following her separation from Mottola in 1997, she introduced elements of hip hop into her album work, to much initial success, but when she left Columbia in 2001 her popularity was in decline. She signed an unprecedented $100 million deal with Virgin Records, only to be dropped from the label and bought out of her contract in the following year. This turn of events was due to the highly publicized physical and emotional breakdown, as well as the poor reception that was given to Glitter, her film and soundtrack project. In 2002 Carey signed a $24 million deal with Island Records, and after a relatively unsuccessful period, she returned to the top of pop music in 2005 with her album The Emancipation of Mimi. The album became her best-selling album in the 2000s and its single, "We Belong Together", became the most successful solo single of her music career and was awarded "Song of the Decade" by Billboard. Ending the decade, Carey starred in the film Precious (2009), whose performance earned her a "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.

In a career spanning over two decades, Carey has sold more than 200 million albums, singles, and videos worldwide, making her one of the world's best-selling music artists. Carey was cited as the world's best-selling recording artist of the 1990s at the World Music Awards in 1998, and was named the best-selling female artist of the millennium by the same awards show in 2000. According to the Recording Industry Association of America (RIAA), she is the third-best-selling female artist, with shipments of 63 million albums in the U.S. In April 2008, "Touch My Body" became Carey's eighteenth number one single on the Hot 100, the most by any solo artist. Aside from her commercial accomplishments, she has earned five Grammys, seventeen World Music Awards, and is known for her five-octave vocal range, power, melismatic style and signature use of the whistle register.

Mariah Carey was born in Huntington, Long Island, New York. She is the third and youngest child of Patricia (née Hickey), a former opera singer and vocal coach, and Alfred Roy Carey, an aeronautical engineer. Her mother is Irish American and her father is of Afro-Venezuelan and African American descent; her paternal grandfather, Roberto Nuñez, changed his surname to Carey to better assimilate upon moving to the United States from Venezuela. Carey has two siblings, Morgan and Alison Carey.

Carey was named after the song "They Call the Wind Mariah", by Alan Jay Lerner and Frederick Loewe, originally from the 1951 Broadway musical Paint Your Wagon. which was a favorite of her mother, Patricia Hickey Carey, a singer with the New York City Opera and vocal coach. Early in Mariah's career, her show began with a "taped overture" of the song.


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Mariah Carey And Nick Cannon

Carey's parents divorced when she was three years old. While she lived in Huntington, racist neighbors allegedly poisoned the family dog and set fire to her family's car. After her parents' divorce, she had little contact with her father and her mother worked several jobs to support the family. Carey spent much of her time at home, alone, and turned to music to occupy herself. She began to sing at around the age of three, when her mother began to teach her, after Carey imitated her mother practicing Verdi's opera Rigoletto in Italian.

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Carey graduated from Harborfields High School in 1987. She was frequently absent, because of her work as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage." Her work in the Long Island music scene provided opportunities to work with musicians, such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After she moved to New York City, she worked part-time jobs to pay the rent and she completed 500 hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.
In 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave Carey's demo tape to him. Mottola played the tape when he left the party and was impressed. He returned to find Carey but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity that surrounded Carey's entrance into the industry.

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Mariah Carey and Nick Cannon


Mariah Carey and Nick Cannon


Mariah Carey \x26amp; Nick Cannon


PHOTO: Mariah Carey and Nick

Carey co-wrote the tracks on her 1990 debut album Mariah Carey and she has co-written most of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help to make the album more commercially viable. Critics were generally enthusiastic (See critical reception section of the album article). Backed by a substantial promotional budget, the album reached number one on the U.S. Billboard 200 chart, where it remained for several weeks. It yielded four number-one singles and made Carey a star in the United States but it was less successful in other countries. Critics rated the album highly, which assisted Carey's Grammy wins for Best New Artist, and—for her debut single, "Vision of Love"—Best Female Pop Vocal Performance. Mariah Carey was also the best selling album of 1991 in the United States. Carey conceived Emotions, her second album, as an homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C+C Music Factory) on the record. It was released soon after her debut album – in late 1991 – but was neither as critically or commercially successful (See promotion and reception section of the album article). Following the success of Carey's self-titled debut album, critics wondered whether or not she would tour in order to promote the album in the major worldwide music markets. However, Carey expressed in several interviews that due to the strenuous nature and the sheer difficulty of her songs, she feared a tour with back-to-back shows would not be possible, aside from the long travel times and constant travel. With the extra time, Carey began writing and producing material for Emotions around the same time that her debut's third single, "Someday", was released in December 1990. During this time period in music, it was traditional for an artist to release a studio album every two years in their prime, allowing the singles to fully promote the album through airwaves, as well as television appearances. Additionally, after a tour that would usually follow, as the next album would be released and would gain new fans, they would search the artist's catalog, and purchase the previous album in hopes of learning of their older work. Sony, however, chose to market Carey in a different fashion, leaning towards the traditional form in the 1960s, where acts would release an LP every year. They felt that Carey's reputation of being a "studio worm" and a songwriter from a young age would be captivating enough to deliver a new album more often than most. As writing for the album came under way, Carey had a falling out with Ben Margulies, the man whom Carey had written seven of the eleven songs on Carey's debut. Together, the duo had written and produced seven songs for Carey's demo tape which she handed to Tommy Mottola. Their parting of ways was due to a contract Carey had signed prior to her signing with Columbia. Carey had agreed to split not only the songwriting royalties from the songs, but half of her earnings as well, something she never thought twice about while writing songs in his father's basement. However, when the time came to write music for Emotions, Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Following the discussion, Margulies filed a lawsuit against Sony, claiming that under contract, he would be entitled to work with Carey, as well as reap extra benefits. After an almost one year lawsuit, the judge settled that Margulies was to earn ten percent of Carey's direct earnings from her record sales, not including an income from any other ventures. While settled, their relationship remained ruined, damaged by what Carey considered treachery. In an interview with Fred Bronson, Carey said the following regarding the contract: "I signed blindly. Later, I tried to make it right so we could continue...but he wouldn't accept it." After the settlement, Margulies spoke of his feelings on the matter, claiming he would hope to one day write again with Carey, placing most of the blame on the record label and concluding "Hopefully one day, art will prevail over business." The title track "Emotions" made Carey into the only recording act whose first five singles have reached number one on the U.S. Hot 100 chart, although the album's follow-up singles failed to match this feat. Carey had lobbied to produce her own songs and, beginning with Emotions, she has co-produced most of her material. "I didn't want [Emotions] to be somebody else's vision of me", she said. "There's more of me on this album."

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