Men wore power suits as a result of the greater tendency for people to display their wealth. Men also grew mustaches due to the influence of television shows like Magnum, P.I.. Medium-length hair was common for men, while the longer haircuts of the 1970s went out of fashion. However, very long hair for men became fashionable in the late 1980s due to the influence of Heavy Metal music.
After the release of her single "Like a Virgin" in late 1984, Madonna became a fashion icon for many young women around the world and copied her "street urchin" look with short skirts worn over leggings, brassieres worn as outer clothing, untidy hair, crucifix jewellery, and fishnet gloves.
The 1983 movie Flashdance made ripped sweatshirts popular. The television shows Dallas and, in particular, Dynasty also had a similar impact, especially in the area of the increasingly oversized shoulder pads.
In the United Kingdom and Ireland, the New Romantic music and fashion movement exerted a strong influence over the clothing worn by both males and females in the early years of the decade.
Other influences on fashion came from films starring Brat Pack members like Judd Nelson and Rob Lowe. By the late 1980s, the influence of an emerging, materialistic, Yuppie-influenced subculture was chronicled by writers like Bret Easton Ellis. Hip-Hop culture and Rap music also began influencing wider fashion trends, such as track suits (worn when not exercising), Kangol hats, including oversized gold jewelry on men and women.
New Romantic was a New Wave and fashion movement that occurred primarily in British and Irish nightclubs. New Wave, New Romantic, and gothic (Goth) fashion at this time was heavily influenced by punk fashion: the streaky eyeliner, the spiked hair, the outrageous clothing, some of which derived from bondage wear (goth) and some of which (New Romantic) was a nod to long-gone eras. New Romantics emerged in the UK music scene in the early '80s as a direct backlash against the austerity of the punk movement. Where some punk bands railed against life in Britain's council estates, the New Romantics celebrated glamour and partied regularly at local nightclubs. The make-up was streaky and bold. The notoriously outlandish designer/club host Leigh Bowery, known for his exuberant designs, became a muse for artists such as Boy George and had grown a huge status in the early 1980s underground club scene. The early designer of the punk look was Vivienne Westwood. Her early career was closely linked to the Sex Pistols. She also designed clothing specifically for bands, such as Adam and the Ants, and later developed the "pirate look." The pirate look featured full-sleeved, frilled "buccaneer" shirts often made of expensive fabrics. Hussar-style jackets with gold-braiding were worn with the shirts as well as high-waisted, baggy trousers which tapered at the ankle. Colin Swift, Stevie Stewart and David Holah were also influential NewRo designers.One element of this trend that went mainstream and remained popular for most of the decade were short shirt collars worn unfolded against the neck (popped collars) with the top one or two buttons unfastened. Some people believed that, with the exception of business suits, to wear one's collar folded appeared awkward or stuffy.
Headbands became fashionable in the early 1980s. interpretreat The trend started in California and spread across the United States. Other associated trends were leg warmers and miniskirts, especially "ra-ra" skirts, modeled after the short, flared skirts worn by American cheerleaders. Leg warmers, which had long been staple gear for professional dancers during rehearsals, became a teen trend at about the same time; their popularity, and that of sweatshirts with their collars cut off, exploded following the 1983 release of Flashdance. Miniskirts returned for the first time since the early 1970s. These styles became associated with the Valley Girl trend that was popular at the time, based on the movie Valley Girl (1983) and popular song by Frank Zappa and Moon Unit Zappa. The mid-80s continued the craze for designer jeans and saw leather become popular. Girls and women also fueled the lace trend. As the decade closed the various other fads soon spent themselves, but miniskirts remained in style and became an option for women's business suits throughout the 1980s and early 1990s with dolly shoes. Frequently, these mini skirts were worn with leggings. These styles are shown in today's fashion with stores such as American Apparel, whose main look is solid colors and simple patterns and the same shapes and silhouettes of the 1980s. In Britain and Ireland, leg warmers were often worn with tight jeans, long jumpers or sweaters, and high heeled [court shoes]. Shoulder pads, popularized by Joan Collins and Linda Evans from the soap opera Dynasty, remained popular throughout the 1980s and even the first three years of the 1990s. The reason behind the sudden popularity of shoulder pads for women in the 1980s may be that women in the workplace were no longer unusual, and wanted to "power dress" to show that they were the equals of men at the office. Many women's outfits had Velcro on the inside of the shoulder where various sized shoulder pads could be attached. The Dynasty television show, watched by over 250 million viewers around the world in the 1980s, influenced fashion in mainstream America and perhaps most of the Western world. The show influenced women to wear glitzy jewelry as a way of flaunting wealth. Synthetic fabrics went out of style in the 1980s. Wool, cotton, and silk returned to popularity for their perceived quality.
After the release of her single "Like a Virgin" in late 1984, Madonna became a fashion icon for many young women around the world and copied her "street urchin" look with short skirts worn over leggings, brassieres worn as outer clothing, untidy hair, crucifix jewellery, and fishnet gloves.
The 1983 movie Flashdance made ripped sweatshirts popular. The television shows Dallas and, in particular, Dynasty also had a similar impact, especially in the area of the increasingly oversized shoulder pads.
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New Romantic was a New Wave and fashion movement that occurred primarily in British and Irish nightclubs. New Wave, New Romantic, and gothic (Goth) fashion at this time was heavily influenced by punk fashion: the streaky eyeliner, the spiked hair, the outrageous clothing, some of which derived from bondage wear (goth) and some of which (New Romantic) was a nod to long-gone eras. New Romantics emerged in the UK music scene in the early '80s as a direct backlash against the austerity of the punk movement. Where some punk bands railed against life in Britain's council estates, the New Romantics celebrated glamour and partied regularly at local nightclubs. The make-up was streaky and bold. The notoriously outlandish designer/club host Leigh Bowery, known for his exuberant designs, became a muse for artists such as Boy George and had grown a huge status in the early 1980s underground club scene. The early designer of the punk look was Vivienne Westwood. Her early career was closely linked to the Sex Pistols. She also designed clothing specifically for bands, such as Adam and the Ants, and later developed the "pirate look." The pirate look featured full-sleeved, frilled "buccaneer" shirts often made of expensive fabrics. Hussar-style jackets with gold-braiding were worn with the shirts as well as high-waisted, baggy trousers which tapered at the ankle. Colin Swift, Stevie Stewart and David Holah were also influential NewRo designers.One element of this trend that went mainstream and remained popular for most of the decade were short shirt collars worn unfolded against the neck (popped collars) with the top one or two buttons unfastened. Some people believed that, with the exception of business suits, to wear one's collar folded appeared awkward or stuffy.
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